Concept drives my process more than technical precision. I prioritize how materials communicate meaning, allowing experimentation and hybridity to shape each work. Grounded in drawing and painting, my interdisciplinary practice fluidly combines media to explore interaction, layering, and transformation. My work reflects my research into Catholicism, capitalism, and popular culture from the 1950s to the present. Through the lens of race, gender, sexuality, and faith, I critique the broken, exploitative systems that structure personal and collective experience, using process-based exploration as a form of resistance, negotiation, and reclamation.